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	<title>The London African Film Festival &#187; Events</title>
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	<description>The Best of African Cinema</description>
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		<title>THE FIGURINE (ARAROMIRE)</title>
		<link>http://www.africaatthepictures.co.uk/london-african-film-festival/the-figurine-araromire/</link>
		<comments>http://www.africaatthepictures.co.uk/london-african-film-festival/the-figurine-araromire/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 16:28:48 +0000</pubDate>
		<dc:creator>Thibault</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[UK Première]]></category>

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		<description><![CDATA[Saturday 31 October 9pm at Odeon Cinema (Greenwich) – UK Première


PRODUCTION CREW
Producer/Director: Kunle Afolayan
Story Concept: Jovi Babs
Art Director: Pat Nebo
Special FX/Make Up: Lola Maja
Director of Photography: Yinka Edward
Costumes/Wardrope: Obieje Eru
Editor: Steve Sodiya &#38; Kayode Adeleke
Production Manager: Bose Oshin
Screenplay / Treatment: Kemi Adesoye
Graphics &#38; Web: James ‘Abinibi’ Alabi
Grading &#38; Colour Correction: Soji Ogunaike
SYNOPSIS
The Figurine (Araromire) is [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>Saturday 31 October 9pm at Odeon Cinema (Greenwich) – UK Première</p>
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<h4>PRODUCTION CREW</h4>
<p><strong>Producer/Director</strong>: Kunle Afolayan<br />
<strong>Story Concept</strong>: Jovi Babs<br />
<strong>Art Director</strong>: Pat Nebo<br />
<strong>Special FX/Make Up</strong>: Lola Maja<br />
<strong>Director of Photography</strong>: Yinka Edward<br />
<strong>Costumes/Wardrope</strong>: Obieje Eru<br />
<strong>Editor</strong>: Steve Sodiya &amp; Kayode Adeleke<br />
<strong>Production Manager</strong>: Bose Oshin<br />
<strong>Screenplay / Treatment</strong>: Kemi Adesoye<br />
<strong>Graphics &amp; Web</strong>: James ‘Abinibi’ Alabi<br />
<strong>Grading &amp; Colour Correction</strong>: Soji Ogunaike</div>
<p>SYNOPSIS<br />
The Figurine (Araromire) is a multi-cultural and contemporary feature highlighting essence and efficacy of tradition, friendship, betrayal and love.</p>
<p>It transcends both the ancient and the modern day.<br />
Two buddies and a girl&#8230;all down on their luck have their lives changed after one of them discovers “ARAROMIRE”, a mysterious figurine in an abandoned shrine which according to ancient legend bestows seven years of good luck.<br />
But, no one told them about the next seven years&#8230;</p>
<p>~·~</p>
<h3>Invitation</h3>
<p>Golden Effects and DJMedia in association with the London African Film Festival invites you to the UK premiere of :
<div style="text-align:center;">THE FIGURINE (ARAROMIRE)<br />
Saturday 31 October 2009</div>
<h4>VENUE</h4>
<p>ODEON Greenwich<br />
Bugsby&#8217;s Way, Greenwich, London, SE10 0QJ (Next to Holiday Inn Express)</p>
<h4>TIME</h4>
<p>Doors open 9pm, Red Carpet &amp; Photo Ops 9.30pm,<br />
Premiere starts 10.30pm prompt</p>
<h3>CONFIRMED INVITED GUESTS</h3>
<p>Kunle Afolayan, Ramsey Nouah, Funlola Awofiyebi – Raimi, Lola Maja<br />
+ UK based celebrities from the Film &amp; Music industry<br />
+ Media personalities from TV, Magazines &amp; Newspapers.</p>
<h3>TICKETS</h3>
<p>Standard: £10<br />
Premier: £15.</p>
<h4>TICKET OUTLETS</h4>
<p>Available from October 13th.</p>
<p>East: Tomi’s Kitchen  (Hackney) Tel: 020 8986 6226<br />
East: Bronze Bar (Barking rd, Canning Town) Tel: 020 7511 4252<br />
South East: Tomi&#8217;s Kitchen (Deptford) Tel: 020 8694 9352<br />
South East: Presidential (Old Kent rd) Tel: 020 7708 4491 ,<br />
South East: Tasty&#8217;s (Woolwich) Tel: 020 8854 2171 ,<br />
West: Mama Calabar (Wembley Park) Tel:020 8902 2277<br />
North West: D&#8217;Den (Cricklewood) Tel: 020 8830 5000</p>
<h4>24HR TICKET HOTLINES</h4>
<p>Tel: 079 56 37 44 73<br />
Tel: 078 59 92 61 00<br />
Tel: 079 32 42 41 75</p>
<h3>INFO</h3>
<p>Tel: 079 46 81 12 53<br />
WEB: <a href="http://www.figurinemovie.com" target="_blank">www.figurinemovie.com</a></p>
<h3>AFTER PARTY</h3>
<p>Follows immediately @ PLANET NOLLYWOOD with <a href="http://www.djabass.com" target="_blank">DJ ABASS</a>.<br />
<strong>TIME</strong>: 10pm – 4.30am<br />
With cast &amp; crew and all invited celebs on 2 Floors of Music.<br />
DJ’s: Shola-B, Whateva &amp; Mc Data</p>
<h3>MEDIA PARTNERS</h3>
<p>HITV (Sky 204)<br />
Nollywood Movies (Sky 329)<br />
Trumpet Newpapers<br />
Check Out Magazine<br />
Vivacity PR<br />
Masino Magazine<br />
M&amp;M Magazine<br />
Gbedu Magazine</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Producing and Distributing African Film in the Digital Era</title>
		<link>http://www.africaatthepictures.co.uk/london-african-film-festival/producing-distributing-african-film-digital-era/</link>
		<comments>http://www.africaatthepictures.co.uk/london-african-film-festival/producing-distributing-african-film-digital-era/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 15:48:44 +0000</pubDate>
		<dc:creator>Thibault</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Sun 29 Nov 09]]></category>
		<category><![CDATA[University of Westminster]]></category>

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		<description><![CDATA[Sunday 29 November from 9.30am to 6pm at the University of Westminster’s Africa Media Centre (AMC)
This one-day interdisciplinary conference invites academics, film and video producers, policy makers, film distributors, Africa specialists, and development practitioners to debate the role and future of African film and video.
Confirmed Keynote Speaker:
Mr. Emeka Mba, Director General of the Nigerian Film [...]]]></description>
			<content:encoded><![CDATA[<p></p><p class="whenwhere">Sunday 29 November from 9.30am to 6pm at the University of Westminster’s Africa Media Centre (AMC)</p>
<p>This one-day interdisciplinary conference invites academics, film and video producers, policy makers, film distributors, Africa specialists, and development practitioners to debate the role and future of African film and video.</p>
<h4>Confirmed Keynote Speaker:</h4>
<p>Mr. Emeka Mba, Director General of the Nigerian Film &amp; Video Censors Board</p>
<p>African film has emerged strongly “at a crucial time in the history of Africa, not only as a voice of the people, but also as an answer to the drudgery of a socio-economic existence characterised by high unemployment and contracting opportunities” (Ogunleye 2003). Apart from empowering the marginalised, the African film and video industry now benefits many on the continent. In most African countries, filmmakers are self-funded and get little input from the public sector. Yet  it is the product of this growing body of self-sponsored and mostly independent film producers that has proved to be the best public relations for many African governments and communities. African economies benefit immensely from the direct and indirect taxes they levy on African films. And while some filmmakers exist in “grey areas” of the law, quotas in some parts of Africa have assured producers of markets.</p>
<p>The picture is further confused by differing attitudes to piracy and copyright across the continent. New technologies have made production and distribution easier, but is this a positive? Previous debates have focused on shared problems around issues such as language, content, regulation, funding, form or quality in African films, but how is the situation after 2000?<br />
The other questions to be debated at this conference may include the following:</p>
<ul>
<li>What is an “African film” in the digital era?</li>
<li>How has the African film/video sector been transformed by new technology?</li>
<li>How have African film and video producers responded to social, economic and political change?</li>
<li>Should African governments regulate African films and video production?</li>
<li>How are issues of copyright and piracy affecting the African film and video industry? Is piracy the problem or is it the lack of distribution? Should filmmakers be embracing internet dissemination rather than viewing it as another form of piracy?</li>
<li>Who views African films/videos? Why have Nollywood films and videos enjoyed more “success” than films from other parts of Africa?</li>
<li>What are the implications of changes in film and video markets in the world?</li>
<li>What are the prospects for co-production within Africa as a means of financing projects?</li>
<li>Do films set in Africa, e.g. District 9, The Last King of Scotland or Blood Diamond qualify to be called African stories? Is it desirable for African film making to &#8216;cross-over&#8217; to other continents?</li>
<li>Who should pay for the recovery, archiving and reconstruction of African Films?</li>
<li>What is the future of the African film in the 21st Century?</li>
</ul>
<p>The programme will be circulated after other speakers have been confirmed.</p>
<p>The conference is organised by University of Westminster’s Africa Media Centre (AMC) in association with the Communication and Media Research Institute (<a href="http://www.westminster.ac.uk/schools/media/camri/about-us" target="_blank">CAMRI</a>), Communication Research in Arts and Media (<a href="http://www.westminster.ac.uk/schools/media/cream2/about-cream" target="_blank">CREAM</a>), the London African Film Festival (LAFF) and Africa at the Pictures.</p>
<h4>Conference Fees</h4>
<p>Unwaged/Students: £35<br />
Waged/Non-Students: £100</p>
<p>Fee includes registration, conference pack, lunch, coffee/tea and wine reception</p>
<h4>For registration forms please contact:</h4>
<p>Helen Cohen<br />
Short Courses and Events Administrator<br />
University of Westminster<br />
School of Media, Arts and Design: School Registry<br />
HA1 3TP, Harrow, Middlesex, UK<br />
Tel: 020 7911 5000 ext 4298<br />
Fax: 020 7911 5995<br />
E-mail: journalism@westminster.ac.uk</p>
<h4>Conference Team</h4>
<p>Keith Shiri, Jane Thorburn, Winston Mano, Colin Sparks, Peter Goodwin, Geoffrey Davies, Maria Way, Brilliant Mhlanga, Helen Cohen, Rosie Thomas, Joram Ten Brink</p>
]]></content:encoded>
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